Gear List

So what type of gear are we going to take?

By MARK PERRY

From the beginning it was had to figure out what gear we would take. There are so many different factors we needed to consider such as would the school let us take the gear since we were looking to use a school camera, would it hold up well in the unknown conditions of Cameroon, does it record the formatting that we want to shoot in. After carefully considering these and many other factors, we came together with a final listing of gear to take. I just wanted to take a quick moment to tell you what gear we decided to take and why we went with it.

Camera: Sony A7iii

For our camera we went with the compact mirrorless Sony A7iii. One of the biggest reasons we went with the A7iii is because of how small it is. The compact nature of its size allows us to easily fit two bodies into out case with no issues. We were also drawn to this camera because of the ability to shoot 4K. The ability to shoot 4K is not a requirement for the class, or the project, but since our trip is going to be so special we wanted to be able to capture it at the highest quality. This also helps keep options open for when we start looking at what the life of the film looks like after completion. 

For our lensing we will be using the 28-70mm lens that comes with the Sony A7iii bodies. This will give us the flexibility that comes from a zoom lens, while also being able to keep things decently wide. We will also be renting a 70-200mm lens. This longer lens will work really well for video portraits as well as allowing us to get a closer shot in situations that might requires us to stay farther away. 

Audio Recorder: Tascam DR40

We often find ourselves reserving the Tascam DR680 to handle our production audio because it has plenty of inputs for interview situations and has easy access to all of our controls. For this project, however, we decided to go with the little brother, the Tascam DR40. The DR40 is an awesome audio recorder that offers up a few advantages over the DR680. The first and most noticeable is size. Being considerably smaller allows easier packing and the option to take two recorders to have a backup system. The DR40 also has two internal mics. Having these mics available allows for quick recording of atmosphere as well as a back up if the full audio system is taking too long to setup. 

Storage: SD Cards & Harddrives

There is no chance for a reshoot. This means that while in Cameroon we need to shoot as much material as we can to ensure a full and complete story line. Not only do we need to shoot a large amount of material, we need to be able to prevent any data loss. We will be taking a large collection of SD cards in the hopes that they can be formatted as little as possible. At the end of each day, or as possible, we will transfer the footage to our field drives. We picked up two Lacie Rugged Mini 2TB drives to house the footage. The plan would be to have two exact copies so that if one of the drives were to have any trouble, then we would have all of the footage still available on the other drive. If possible we might also save a copy of the footage on the internal hard drive of the computer. When we ordered the laptop off of the HP website, we decided to upgrade the internal hard drive the hope that it might be able to become a third backup of the footage. 

“We had to weigh not only the quality level of the equipment, but how it would perform in the field, and how it would pack.”

Lighting: Vidpro LED Panels, 5-in-1 Reflector

While we will be relying on the sun to be our main source of light, it would be foolish to not take any additional lighting equipment. We will be taking a a 5 in 1 Reflector to help manipulate the sun light. This will allow us to either make the sun less harsh on our subject, or bounce it into an area that needs more light. We will also be taking several small led panels from VidPro. These lights will be small so they will fit well when we pack, but they will provide some extra light when things get too dark. The panels are unique because they can interlock together. This allows us to make a larger unit if needed. 

Case: Pelican 1510

To keep everything safe we went with the Pelican 1510. This is a nice hard case that fits the size of a carry on so that all the gear can remain with us on the plane. We chose to get it with the padded dividers to help with organization. The padded dividers are a flexible option as they use velcro to stay in place. This allows us to customize the layout to exactly what we need while still providing the protection and support. This is a wheeled unit which will make things easier as we work through the airports. 

Support: Benro Monopod

The nature of this film will be predominantly run and gun style filmmaking, meaning that we are always on and aware of what is going on around us and are ready to shift focus at a moments notice. In order to achieve this we need a form of support that can allow us to work quickly and with a low profile. We decided to go with monopods from Benro. Specifically we picked up two of the Benro Aluminum 4-Series Flip-Lock Video Monopod Kit with 3-Foot Articulating Base and S4 Video Head. This provides us with both the versatility and the stability we need while shooting in Cameroon. 

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